
The amazing art at Ristorante Volare on West 4th Street.
About a dozen times in the last year I’ve either called Dell’anima to make a reservation (5 p.m. or 11 p.m. offered) or walked by thinking I could just slip in, only to be disgusted by the pushing, the crowding, and the noise level at that new Italian restaurant I had heard such good things about. (Am I getting old, or impatient, or both?) Of course I want to try it, but when did going out for dinner become a battle? And why do so many hipster restaurants design this into the program? Is it such a sin to want to have a conversation with your dining companion? Man, is it irritating, when all I want is that and a good meal. It makes me nostalgic for the civilized New York Italian places I remember so well from my childhood.
I thought about Volare, a pretty little place on West 4th Street that I last visited about 15 years ago, when my father, husband, and I stopped in not to eat but to get away from the cold and crowds of Washington Square, to have a Sambuca at the cozy bar. And of course the Sambuca came con mosca (“with flies,” which actually means coffee beans, set alight by our black-jacketed bartender). What a nice place. My father was really in his element. And Volare is still there, unlike so many small, family-run places that have gotten swallowed up by the Batali and McNally machines or by some nail salon. I wish all the cozy old places would just stay put, but even when they do there is usually one big problem with them—the food. More often than not, the cooking has gone downhill or just stagnated in Northern or Southern Italian–American misery land. I love many old-time dishes, of both the red and white sauce varieties, but a little sprucing up from time to time is required to keep the old joints going.
I had dinner at Volare the other night and I’m happy to report the food is very good.
The focal point of the small, pretty room at Volare is a series of burlesque-style artworks painted in the 1930s by Cleon Throckmorton, a Broadway set designer (Porgy and Bess, The Threepenny Opera), who lived around the corner on West 3rd Street. They keep these gorgeous paintings in top-notch shape, as they do the rest of the place (it always looks freshly painted). It’s quiet, gentle, and has the kind of warm attentive service that can bring a tear to your eye.

Another Throckmorton masterpiece.
The menu is old-fashioned, but with some excellent surprises. You’ve got your baked clams (which I ordered and found delicious—subtle and tender), insalata di mare, antipasto freddo with salami and such, but they also make trippa alla Romana, which I ordered because I can never resist a steaming plate of tripe. It was excellent, completely tender and rich, with touches of celery and lots of white wine. My husband ordered the insalata Volare, which turned out to be a type of chopped salad with a toss of arugula, cannellini beans, hearts of palms, artichokes, and red onions. This was great, a nice change from the usual flabby insalata mista offered at many places.
The pastas all sounded interesting, and they must be somewhat updated, since I can’t imagine finding pappardelle alla lepre (with rabbit ragù) at any restaurant in the 1950s. My husband ordered that. It was wonderful, although I found the pappardelle almost a little too al dente (usually you have the opposite problem in old-timer places like this).
Many of the people around us ordered steaks and veal chops and osso bucco. I’ve heard from a few regulars that Volare’s steaks and chops are outstanding, and they’re absolutely huge, enough to feed two, or to bring home for another substantial meal. Next time.
I kept looking around the place, admiring the stunning murals and the shiny white lacquered tin ceiling, taking in the couples and little groups of happy people, eating and chatting away. We ordered homemade cannolis for dessert. I was ready to be disappointed. I haven’t been able to find a decent cannoli in this city for some time. Volare’s were perfect, filled to order, crisp, beautiful. Of course I had to order a Sambuca to go with them, in memory of my father, and of course it still came con mosca. Can’t forget the mosca.
What a great place. I hope it stays forever.
Volare
147 West 4th Street (between MacDougal Street and Sixth Avenue)
New York, N.Y.
(212) 777-2849





Gottino’s charming storage cellar.




My sformato demolded.



