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Pink Sauce

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Roses in a Vase, Carl Rohde, nineteenth century.

Recipe: Penne with Pancetta, Rosemary, Pine Nuts, and a Splash of Cream

I’m not a cream person. I don’t even like ice cream all that much. A few spoonfuls are wonderful, but after that it kind of lumps up in the back of my throat and triggers a gag response. What can I say? For me cream is strange, and I don’t find many uses for it in my kitchen, possibly because my Southern Italian soul runs deep, and there’s no cream at the bottom of the Mediterranean, only volcanic ash, which somehow seems more interesting to me.

A cream-based dish that in my opinion is the worst Italianish creation of all, and I’m not sure if it’s originally Italian or U.S.-born, is pasta with cream and smoked salmon. I find the smell of that utterly repulsive. I can’t even be at the same table with someone who has ordered it. I think it had its heyday in the 1990s. Luckily, you only find it at shopping mall restaurants these days. (Gee, can I be any more of a snoot?)

But there is one pasta-with-cream dish that I adore. It’s pink sauce, a simple tomato sauce with a splash of cream, the sauce of Italian-American restaurants alla the 1960s. At Ricky’s restaurant in Roslyn, Long Island, I ordered giant cheese ravioli bathed in a sauce the color of the vibrant pink roses my father grew along the walkway in front of our house. Sometimes I’d order cannelloni with that same sauce. It had a soft, voluptuous flavor, with only a hint of acidity. Pink sauce wasn’t anything we made at home. There we made red sauce, heavy with oregano and garlic, and usually the color of dried blood. I loved it. But then sometime in the 1970s, penne alla vodka became the craze. Every mom on our block made that quick mix of vodka, tomatoes, cream, and a pinch of hot pepper. They considered it elegant and so did I.

In the winter I crave pink sauce. I think of it in the winter, since it works best when you give it the body that canned tomatoes provide. My approach to creating one of these cream-kissed sauces is pretty rudimentary, but I do have some rules. First off, no garlic shall ever enter my pink sauce. In my opinion, what you want is a base of sweet cooked-down onions or shallots, especially when reduced in a little butter. Then a splash of booze, vodka, or cognac, or, what I prefer, the gentle warmth of Marsala or vermouth. Then the tomatoes go in. You’ll want to cook them quickly over high heat to retain their bright color and taste. Then a drizzle of cream or crème fraîche. I sometimes add pancetta or sausage, or mushrooms. A mild grating cheese like Parmigiano or grana Padano is essential to pull the flavors together in this lush mix. I love adding rosemary or a few fresh sage leaves, too. For this version I’ve also included toasted pine nuts. The gorgeous color and velvety texture of the dish makes me very happy. I don’t usually like that hackneyed description “comfort food,” but I must tell you, pink sauce is truly comforting.

Penne with Pancetta, Rosemary, Pine Nuts, and a Splash of Cream

(Serves 5 as a first course)

2 tablespoons unsalted butter
A drizzle of extra-virgin olive oil
1 ¼-inch chunk pancetta, cut into small dice
1 pound penne
Salt
1 large shallot, minced
1 large sprig rosemary, leaves chopped
A splash of sweet vermouth
1 35-ounce can plum tomatoes, well chopped, with the juice
A good pinch of piment d’Espelette (a Basque dried red chili), or another medium hot chile, such as Aleppo
¼ cup heavy cream
A handful of pine nuts, lightly toasted
A handful of flat-leaf parsley leaves, lightly chopped
A chunk of grana Padano cheese

Set up a pot of pasta cooking water, and bring it to a boil.

In a large skillet, heat the butter and olive oil over medium flame. Add the pancetta, and let it get crisp.

Add a generous amount of salt to the water, and when it comes back to a boil, add the penne.

Add the shallot and rosemary to the skillet, and sauté until softened and fragrant. Add the vermouth, and let it boil away. Add the tomatoes with their juice, season with salt, and cook at a lively bubble for about 5 minutes. Now season with the Espelette, and add the cream and the pine nuts, giving the sauce a good stir. Simmer for about 2 minutes or so, and then turn off the heat. Taste for salt.

When the penne is al dente, drain it, and pour it into a warmed serving bowl. Add the sauce, the parsley, and a generous grating of grana Padano (about a heaping tablespoon or so). Toss well, and serve, bringing the rest of the cheese to the table.

ecce-homo-crepe-426x300When Cecilia Gimenez, an untrained art restorer, took it upon herself to freshen up Elias Garcia Martinez’s nineteenth-century Ecce Homo fresco, in Spain, she transformed Jesus into a weird, hairy monkey. The image has become so popular that a bakery in Madrid is now using it to decorate its crêpes.

Recipe: Crespelle with Roasted Peppers, Prosciutto Cotto, and a Red Pepper Sauce

Sometimes I feel that olive oil is what holds my life together. I smell it, I cook with it, I rub it into my hair and hands (so I guess I smell like it, too). Maybe if I had kids I would say they held my life together, but I don’t have kids. I have olive oil. Olive oil is so important to me. I easily go through a 32-ounce bottle every week, sometimes more. I spend a lot on olive oil, but it’s worth it. I especially love the flavor of estate-bottled Sicilian oils such as Ravida or Olio Verde. To me, they have a perfect mix of mellow and biting, often with a lingering taste of almonds. (And to my palate sometimes of bananas, but every time I’ve mentioned this to a producer or seller, he’s looked at me like I’m an idiot. But you know what? I know I’m right. My palate doesn’t lie.)

I’m always looking for ways to work olive oil into foods that traditionally would require butter. Many of the pastry crusts I use for savory tarts and even some sweet ones consist of just olive oil, salt, wine, and flour. It’s amazing how flaky  they cook up. I make olive oil biscotti and cakes that are, to my taste, more tender and lighter than butter-based versions. I also use olive oil in crespelle, Italian crêpes. The texture is lovely, and they’re much easier to work with than butter-based crêpes. Olive oil crespelle are a perfect wrapping for seafood or Mediterranean vegetable fillings such as eggplant or the roasted peppers I’ve chosen for this recipe.

Don’t be afraid to make crespelle. They’re not that hard, especially with this olive oil batter, and once you’ve got it down, you can improvise with fillings and sauces to your heart’s content. Getting the rhythm down when you’re cooking crespelle always takes a few minutes. You need the time to regulate the pan heat and come to understand just how  much batter is right to thinly cover the pan. You’ll produce a few lumpy, folded, truly messed-up-looking crespelle before you hit your stride. Don’t worry. That’s just the way it is.

Crespelle with Roasted Peppers, Prosciutto Cotto, and a Red Pepper Sauce

(Serves 4 or 5, making about 12 7-inch crespelle)

For the crespelle:

1 cup all-purpose flour
4 large eggs
A generous pinch of salt
1 tablespoon sugar
3 tablespoons olive oil, plus extra for cooking
1 cup whole milk, possibly a little more
1 tablespoon grappa, cognac, or brandy

For the ricotta filling:

2 cups whole-milk ricotta
1 large egg
1 small garlic clove, minced
½ cup grated grana Padano cheese
A few big scrapings of nutmeg (about ⅛ teaspoon)
Salt
Freshly ground black pepper
About 8 thyme sprigs, leaves chopped, plus a handful of tender sprigs for garnish

Plus:

Extra-virgin olive oil
6 red bell peppers, charred, peeled, seeded, and cut into thick strips
1 garlic clove, thinly sliced
Salt
Freshly ground black pepper
A big pinch of sugar
½ cup chicken broth
½ cup heavy cream
½ pound prosciutto cotto, very thinly sliced
½ cup grated grana Padano cheese

For the crespelle batter, put all the crespelle ingredients into the bowl of a food processor, and pulse until very smooth. The result should be the consistency of thick cream. If it’s too thick, add a little more milk. Pour the batter into a bowl, and let it sit about 45 minutes before using (this will relax the gluten a bit, so you get a nice tender crepe).

To cook the crespelle, I used a 7-inch omelet pan, but if you’ve got a proper crêpe pan, a little bigger or smaller, use that. Any small sauté pan will do the trick. With these olive oil crespelle, I never find sticking a problem, so you don’t need a non-stick pan. Put the pan over a medium flame, and let it heat up. Pour in just enough olive oil to coat the pan. Pull the pan from the heat, and ladle in a bit less than a quarter cup of batter, tilting the pan quickly in a circular movement to spread the batter. (You’ll get the hang of it. The first few usually don’t come out too well. Once the heat is regulated and you get the feel of it, trust me, you’ll find it fairly easy.) Let the crespella cook just until you notice it coloring lightly at the edge. Then shake the pan, moving the crespella away from you, and slip a spatula underneath. Give it a fast, confident flip. If it folds up a bit, just straighten it out with your fingers (these things are a lot sturdier than you’d think). Cook on the other side for about 30 seconds, and then slide onto a big plate.

Make the rest of the crespelle the same way, adding a drizzle of olive oil to the pan each time. Stack the crespelle up on top of one another (they won’t stick, I swear). If you like, you can refrigerate them until you want to assemble the dish.

Mix the ingredients for the ricotta filling together in a big bowl.

In a medium skillet, heat 2 tablespoons of olive oil over medium flame. Add the red pepper slices, the garlic, a pinch of sugar, salt, and black pepper, and sauté for about 2 minutes, just to finish cooking the peppers and coat them with flavor.

Take about a quarter of the peppers out and place them in a food processor, including any juices that are left in the skillet. Work them into a purée. Add the chicken broth and the cream, and give it a few more pulses, just to blend everything. Season with a little salt. Transfer this sauce to a little bowl.

Preheat the oven to 425 degrees.

Lay the crespelle out on a work surface. Cover each one with a layer of the ricotta filling, leaving the ends of the crespelle uncovered. Now place a piece of prosciutto cotto and a few slices of the roasted peppers on top. Roll them up, and arrange them in a well-oiled baking dish that will hold them rather snugly (you can use two dishes, if that’s more convenient for you).

Drizzle the pepper sauce over the crespelle, and sprinkle on the grana Padano. This sauce is not meant to cover the entire dish. It just provides a little flavor boost and moisture. Bake until bubbling and lightly browned at the edges, about 15 minutes. Garnish with the thyme sprigs.

Serve hot. No need to let them rest. They’re quite firm. I like them served with a simple winter salad of mixed chicory-type lettuces, such as frisée and endive.

Women with Fish

3883803_a-Lady-Tropical-Fish-5-Piece-Russian-Nesting-Doll

I remember similar Russian nesting dolls from my childhood, but usually they were egg shaped, all fitting inside the mommy egg.  I never saw painted fish lady dolls before, so this got me quite excited, as you can imagine. I’m not crazy about these colors, but this little group did get me thinking it would fun to paint a fish on my sister’s stomach. I’ll have to ask her if that would be okay. I’m sure she’ll say yes. I’ll post the results ASAP.

Rebirth of a Vinegar Mother

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Still Life with Garlic and Red Wine Vinegar, Julian Merrow-Smith, 1998.

This past August, sometime in the middle of the hot month, my vinegar mother died. That was the gelatinous lump of good bacteria that had formed in the bottom of my vinegar jar and produced excellent vinegar from red wine odds and ends for 18 years. The wonderful vinegar mother had been created, after several failed attempts, at a house my husband and I rented, along with a ton of other people, in Riverhead, Long Island. We were a sometimes high-strung, volatile group, so I often looked for escapist projects, and making vinegar, along with constructing spun-caramel domes, and growing wild Calabrian mint, was one of them.

I first tried making vinegar by simply pouring wine into a mason jar and leaving it on the porch, lightly covering the top of the jar with a slashed-up cloth so it got plenty of air. If there was active yeast in the wine, the enzymes in the atmosphere would help form a mother. My grandfather used to do this, so I knew it could work. Mine didn’t. The wine just soured, and no Jell-O lump developed. A lively red wine vinegar mother looks like a slab of  raw calf’s liver, so that’s what I was waiting to see. Over-pasteurization or crappy Long Island air could have been the problem.

Coincidentally, around the time I first began my vinegar making project, I happened to purchase a copy of Giuliano Bugialli’s Classic Techniques of Italian Cooking, a book of traditional, proper, mostly Tuscan recipes, which also includes photos that look like they could have been shot in Renaissance Florence. It shows you how to reconstruct a cooked, boned pheasant, feathers included. Fascinating, but unless I’m  hired as a food stylist for a movie on the life of the Medicis, I’m not sure I’ll ever bother. One thing in the book that was extremely interesting to me at the time was Bugialli’s advice for making homemade vinegar. Adding the crumbled insides of a slice of good Italian bread to the wine will introduce yeast that can help form the mother. That’s what Mr. Bugialli said, and wouldn’t you know, it worked like a dream. I was so excited that I couldn’t stop talking about it, producing much above-it-all eye rolling from most of my housemates. But I was making the best red wine vinegar I had ever tasted. When the summer was over I took my precious vinegar jar back to the city with me, no regrets.

Being my first and only vinegar mother, it was special to me. And when this August, after so many years of faithful service, I first noticed a buildup of brown, crystallized crud around the lid of my vinegar jar, I became worried. But the vinegar still tasted good, so I didn’t sweat it. Then a few weeks later, to my horror, I saw that the mother had completely broken up and disintegrated, leaving what was now a jar of dark, murky, almost opaque liquid that smelled like nail polish remover. I was heartbroken. I came to the conclusion that my stifling hot August kitchen had been just too much for the grand lady, so she had expired way before her time. I should have prevented it, but since she had made it through 17 city summers unruffled, I hadn’t put much thought into this past year’s intermittently broiling weather and my excessive use of grill pans and other sweltering cooking techniques. I puttered around the Internet looking for remedies, trying a few suggestions such as adding broken spaghetti or sugar to the jar, but the thing was too far gone. I could have just started fresh right away, attempting a new vinegar mother with new bread and new wine, but this was the original, a highly sentimental thing for me. I struggled to bring her back to life, but nothing worked, so I finally threw the murky mess down the drain and decided I needed a period of mourning before starting up again.

In November I happened to be making dinner at my mother’s apartment (not my vinegar mother’s, my biological mother’s). While dressing a salad with a little bottle of vinegar she still had from my last batch, before tragedy had hit, I noticed that her bottle had formed a vinegar mother of its own, a mother spawned from my original vinegar mother, probably because some alcohol or excess sugar had been left in the batch. There it was, a dark red gelatinous disk at the bottom of her decanter. Well, needless to say, I was ecstatic. “Can I have this?,” I asked my biological mother. “Be my guest,” she said, not really understanding what I was asking her for. So I poured what remained of her vinegar into another container, hurried home with my mother clone, and immediately began setting up a new jar, hoping it would take and knowing that if it did, my original vinegar mother would live on.

vinegar mom
Here’s a good looking, live red wine vinegar mother.

I topped it with half bottles of Nero d’Avola and Côtes du Rhône wine and let it sit near the window, a place that was pleasantly cool but not drafty. After about two and a half weeks I began getting whiffs of a good vinegar smell when I entered the kitchen, but a closeup sniff told me it wasn’t quite there yet. After another week I smelled it again, and it seemed perfect. And the taste was beautiful, exactly as it had been. Hallelujah. My vinegar mother was resurrected. I’ll never neglect her again.

nguyen_trung-girl_with_fish~OM7b8300~11211_20091011_32_271
Girl with Fish, Nguyen Trung, 1990.

This beautiful woman has the new year all worked out. She’s got her fish. She’s serene and clear-eyed. She knows how to dress simply, and she knows how to cook. This silver fish will be brushed with oil and ginger and placed on a wood fire, not even gutted. Happy New Year to you Miss Fish Girl. All will be well.

Still-Life-With-Walnuts,-Olives-In-A-Glass-Jar,-A-Partly-Peeled-Lemon-And-A-Glass-Of-Red-WineStill Life with Walnuts, Olives in a Glass Jar, a Partly Peeled Lemon, and a Glass of Red Wine, Miquel Parra, 1780-1846.

Recipe: U spaghett’antalina for la Vigilia di Natale

Pasta with walnuts. What a lovely thing that is. Spaghetti tossed with a walnut pesto is a dish I often make in cool weather. I just throw really fresh walnut halves, a garlic clove, grana Padano, extra-virgin olive oil (plus often a splash of walnut oil, if I have it), and abundant parsley into a food processor and pulse a few times until I’ve got a chunky paste. Sometimes I add butter, too. It’s a rich pasta that’s perfect for a first course, nice before rosemary roasted lamb, for instance.

Walnuts remind me of Christmas. My father always had a bowl of them, along with a simple nutcracker, hanging around the house somewhere during the holidays. Nuts with shells. Doesn’t that seem a thing of the past? Actually I’m not sure if I’d ever be up to making my walnut pesto if I had to shell and grind the nuts by hand. That, I feel, would be depressing, especially since I’m usually alone in the kitchen, working away, or sometimes it’s just me and Maria Callas, which is much more interesting.

Well, now on to Christmas Eve dinner. La Vigilia, the big fish dinner. My favorite meal of the year. I never know what I’ll be making until a few days before, and I change the menu every year. Since this year I’ve got walnuts on the brain (and possibly a brain the size of a walnut, at this stage of my life), I’m reminded of a Neapolitan walnut-and-anchovy pasta that’s traditional for this meatless though lavish meal. U spaghett’antalina is what it’s called in dialect, and the dish is fabulous. The annual walnut harvest in the Sorrento peninsula happens in the late fall, so by the time Christmas comes around the market is filled with really fresh, flavorful walnuts, which are famous throughout Italy. This beautiful pasta appears on a lot of Christmas Eve tables, both around Naples and in Italian-American households. My family never made it. We almost always had linguine with clam sauce to start, but since I’m now thinking about walnuts, this lovely pasta seems like the right thing to kick off my Christmas Eve menu this year.

Here’s the way I make it.

U spaghett’antalina for la Vigilia di Natale

(Serves 5)

1½ cups very fresh walnut halves
Sea salt
½ cup extra-virgin olive oil
2 garlic cloves, very thinly sliced
10 oil-packed anchovies, minced
1 pound spaghetti
A pinch of sugar
Freshly ground black pepper
1 tablespoon Fra Angelico liqueur (or a walnut liqueur, if you have it)
3 tablespoons unsalted butter
About ½ cup very lightly chopped flat leaf parsley
5  marjoram sprigs, leaves lightly chopped

Preheat the oven to 375 degrees. Spread the walnuts out on a sheet pan, and roast them until just fragrant, about 5 minutes. Make sure to watch that they don’t burn. You just want them lightly golden.  Now stick them in a food processor, and pulse a few times, to give them a rough chop.

Set up a big pot of pasta cooking water, and bring it to a boil. Season with a good amount of salt, and drop in the spaghetti.

In a large skillet, heat the olive oil over a medium-low flame. Add the garlic and the anchovies, and sauté until fragrant, about a minute or so. Add the walnuts, seasoning them with salt, black pepper, and a little sugar, and sauté a minute just to coat them with oil. Add the liqueur, and let it boil away.

When the pasta is al dente, drain it, saving about ½ cup of the pasta water, and transfer it to a warmed serving bowl. Add the butter, and toss. Add the walnut sauce with all the skillet juices, the parsley, and the marjoram, and toss, adding a little pasta water if necessary to loosen the sauce. Taste to see if it needs more salt or black pepper. Serve hot.

oranges flamingo
Modern Wilderness, Kevin Sloan, 2012.

Recipe: Orange Salad with Pistachios, Black Olives, and Orange Vinaigrette

I give thanks to Mother Nature for oranges. They can make a cold, gray day sunny. They are winter glamor. Right now I find an abundance of oranges in my supermarket, piled up in bins, ready to go tumbling all over the store if I remove one with a lack of finesse. Even with this abundance, each orange seems special to me. Almost no other natural food smells quite so lovely at this time of year.

And after years of immersing myself in Southern Italian food, oranges remind me primarily of one thing, one place, Sicily, where they play a meaningful role in the island’s cooking. Savory Sicilian dishes made with oranges, what a lure they are, and what an unexpected taste they have, a taste I can only describe as exotic.

The savory orange salads of Sicily are a standout even in the vast world of Italian culinary invention. They can be seasoned with sea salt, black pepper, olives, chicory, olive oil, orange flower water, hot chilies, arugula, red onion, fennel, oregano, almonds, scallions, mint, pine nuts. In Palermo I’ve had them with just a sprinkle of salt and a drizzle of good olive oil, but I’ve also been served and created dishes that included just about all of the above. The saltier, the more savory the better, as far as I’m concerned. Orange salads are best made with fruit that’s not not too sweet, but Sicilians can make a sweet orange less so with ease (with biting olive oil, red onion, sea salt, or black pepper to do the trick). The salads are a perfect palate cleanser after a pasta con ricci (with sea urchins) or swordfish involtini. Some kind of orange salad always winds up on my table as the crowning conclusion to my big Christmas Eve fish extravaganza.

I grew up, like most Americans, thinking of oranges as primarily good for morning juice or, after a chemical transformation, as a coating for Creamsicles. Then I started reading Sicilian cookbooks, discovered the existence of these salads, and began to contemplate a strange bowl of seemingly incongruous ingredients as part of my dinner. Well, that sent my culinary head spinning.

Just about any variety of orange will do, as long as they’re fragrant and juicy. In a few weeks I’ll find blood oranges in the markets and I’ll certainly be using those, both for their beauty and bitter sweet flavor.

In Sicily these salads are finished simply with good olive oil. A formal dressing isn’t usually needed with the acidity of the oranges. But I got to thinking that a good way to turn up the orangeness of the salad would be by making a gentle vinaigrette using some of the zest, so its oil could open up, bathing the salad in another layer of orange.

Orange Salad with Pistachios, Black Olives, and Orange Vinaigrette

(Serves 4)

1 medium head frisée lettuce, torn into small pieces
3 or 4 medium oranges, one zested, and then all of them peeled and cut into thin rounds
½ a medium red onion, sliced into thin rounds
A handful of rich tasting black olives (I used Niçoise)
A handful of unsalted, shelled pistachios, lightly toasted
Sea salt
Freshly ground black pepper
1 teaspoon fresh lemon juice
2½ tablespoons extra-virgin olive oil (I used Ravida, a very fruity Sicilian estate oil)
About 6 large spearmint sprigs, leaves very lightly chopped

Choose a large, curved serving platter, and lay out the frisée on it. Arrange the orange slices on top of the lettuce in a circular pattern. Now place the onion slices on top. Scatter on the olives and the pistachios. Give everything a gentle sprinkle of sea salt and black pepper (you’ll be adding a bit more to the dressing, so don’t overdo it here).

In a small bowl, whisk together the orange zest, the lemon juice, and the olive oil, adding a pinch more salt and a few grindings of black pepper. Let it sit for a minute or two, and then pour it over the salad. Garnish with the mint, and serve.

Woman with Fish

Garra Rufa carp eat dead skin. If you want this particular type of pedicure, you’ll have to travel to Washington, D.C. , of all places (wouldn’t you think Thailand?) I’ll bet it feels sweet.

Pumpkin Torta from Liguria

Books, Shoe, and Pumpkin, Henriette Picker, 2012. To see more of her work, visit www.hspicker.com.

Recipe: Torta di Zucca from Moneglia, Liguria

Almost the only parts of Thanksgiving dinner I ever liked were the Italian dishes my family made to go with all the American stuff, sausage-stuffed artichokes, breadcrumb-and-herb-stuffed mushrooms, broccoli rabe with fennel seeds and garlic. But I really like cranberry sauce, too, especially the way my mother made it, with lots of orange sections and Triple Sec. Now that I think of it, it tasted very Sicilian.

Every year I try to come up with new Italian dishes to slip into the occasion. Currently I happen to be going through a deep attraction to Italian savory tarts, and recently while searching around for regional ones I didn’t yet know, I came across references to torta di zucca, an excellent-sounding pumpkin torta from Liguria, made in the town of Moneglia for its annual Sagra di Zucca pumpkin festival. It’s flavored with Parmigiano and marjoram, a signature herb in Liguria. I was immediately intrigued.

I love the idea of non-sweet, non-pumpkin pie, spiced-up pumpkin. It seems that even in Italy that’s hard to come by. Whenever I’ve had pumpkin-filled ravioli or other pasta it has also contained something sweet, such as amaretto cookies or sugar and cinnamon. I also associate such as pasta with a sage butter sauce, something I very much like, but marjoram struck me as a good change.

I went about gathering up as many recipes as I could for this fine-sounding torta creation and weighed their pros and cons as I saw them. Never actually having tasted the thing on its home turf, I had to imagine what would make it the best it could be. The recipes varied greatly, so I knew that every cook made it a little differently. One was a double-crusted pie with lots of onion, another included dried porcini mushrooms. In one the pumpkin was baked and puréed; another had it cubed. Some contained garlic, which I immediately nixed. Several were open-face torts with breadcrumbs baked on top. That sounded great, so I went for it, along with marjoram, one of my absolute favorite herbs, and the Parmigiano, both of which were present in every recipe, and I came up with a version that felt right for me. Someday I’ll have to get myself to that Sagra di Zucca in Moneglia, but for now this will have to do. And it really is quite wonderful.

Happy Thanksgiving from your personal Italian cook.

Torta di Zucca from Moneglia, Liguria

For the crust:

2 cups all-purpose flour
1 teaspoon sugar
1 teaspoon salt
1/4 cup extra-virgin olive oil
1/2 cup dry Marsala or dry vermouth

For the filling:

½ a small pumpkin (I used one of those squat, tan cheese pumpkins), you’ll want enough to get about 2 cups of puree
Extra-virgin olive oil
1 large shallot, minced
A splash of dry Marsala or dry vermouth
Salt
Freshly ground black pepper
2 jumbo eggs, at room temperature, lightly whisked
½ cup whole milk ricotta, drained if watery
¾ cup freshly grated Parmigiano Reggiano cheese
A handful of lightly toasted pine nuts
6 marjoram sprigs, leaves lightly chopped, plus a little extra for garnish if you like
¼ teaspoon ground nutmeg
½ cup homemade breadcrumbs, not too finely ground

You’ll want a 9-inch tart pan with a removable bottom.

To make the crust: Put the flour in a large bowl. Sprinkle on the sugar and salt, and mix it around. In a small bowl, mix the olive oil with the Marsala. Pour this over the flour, and mix with a wooden spoon until you have a sticky mass of dough balls. Tilt it out onto a work space, very briefly give it a few kneads, and then press it together into a ball. Wrap it in plastic, and let it sit, unrefrigerated, about an hour.

Preheat the oven to 400 degrees.

Remove the seeds from the pumpkin half. Drizzle it with a little olive oil, and wrap it in aluminum foil. Place it on a sheet pan, and bake until it’s tender when poked with a knife, about 40 minutes or so.

When the pumpkin is cool enough to handle, scoop out the insides into a bowl, measuring out about 2 cups.

In a small skillet, heat 2 tablespoons of olive oil, and sauté the shallot until it’s soft. Add a tiny splash of Marsala to loosen up cooked-on bits, and pour the mix over the pumpkin. Add all the other ingredients for the filling, except the breadcrumbs, and mix well. Taste for seasoning.

Toss the breadcrumbs with a tablespoon or so of olive oil, and season them lightly with salt and black pepper.

Place a sheet pan on the bottom rack in the oven and let it heat up. Baking a torta on a hot sheet pan will prevent the soggy bottom that’s often a problem.

Roll out the dough, and drape it into the tart pan, trimming any overhang. Build the sides up a bit with your fingers so it sticks out a little from the rim.

Pour the filling into the dough, and smooth down the top. Sprinkle with the breadcrumbs.

Place the tart in the oven on the sheet pan and bake until the crust is lightly browned and the filling is firm and golden, about 40 minutes.

Recipe: Polpettone for Hurricane Sandy

Even when I’m culinarily extravagant, which I think happens to any professional cook, I try my hardest never to be wasteful. I get a sickening pang in my heart if I let something spoil because of inattentiveness. Unfortunately, sometimes waste can’t be helped, but still it makes me feel bad when it happens.

The day before Hurricane Sandy struck I stood in line at Westside Market, with hundreds of other crazed looking West Villagers, and bought up anything I could get my little mitts on, cans of tomatoes, sardines, tuna, bags of penne, rigatoni, ziti, dried cecis, cauliflower, bananas, a zillion heads of escarole, for some unexplained reason, but meat, too, pork, beef, chicken, lots of it. You’d think being a food pro it would have occurred to me that if the lights went out, refrigeration would go out too, but with all the pushing and grabbing at the hectic market, I threw whatever was closest at hand into my cart, happy just to have lots of stuff. I figured I’d have a crowd of people flooding into my tiny apartment, camping out and needing to be fed. That’s what had happened when the World Trade Center imploded, and also during various heat-related blackouts over the years. It didn’t happen this time. Everyone was scattered and isolated.

Cooking sausage ragù and pork with ceci beans in my freezing cold, candlelit kitchen was a novel challenge. At least our gas wasn’t turned off, unlike my mother’s, so I could light the burners with a match. And we had water, unlike many people. Not hot water, but cold water I could boil to cook pasta. By the third day, with my now hot refrigerator filled with packages of chopped meat and rotting escarole, I decided I should make a polpettone, a meatloaf. But damned if the meat in the big hot germ box didn’t smell a little off. Gee, what a bummer. Should I cook it anyway? The inside of the refrigerator smelled exactly like when I’ve on occasion located a dead and rotting mouse under a bookcase. What would it be like to come down with food poisoning in a freezing cold, blacked out apartment? At least if my husband and I needed to puke for a few hours, we could flush the toilet, something many friends couldn’t at that moment do, but ultimately I decided that taking the chance could add insult to injury (or possibly the other way around). So the ground pork, ground chuck, and ground veal all had to go. This pained me and made me feel incredibly obtuse for having bought so much perishable stuff. I guess I hadn’t thought the blackout would last so long. But then why did I buy so much? The answer: pure panic. I think Italians in particular are prone to this type of frantic hoarding. I’ve seen it with my family here and in Italy, how they go apeshit every year preserving in vinegar or oil every garden eggplant and pepper, every leaf of basil, jamming up the basement with rows of jars and bottles as if there weren’t a grocery store anywhere.

Interestingly, I don’t think West Side Market lost much. During the storm I saw guys loading big trucks with perishables and presumably transporting it all to their Upper West Side branch, where, as some of my friends who live up there have told me, you’d never have even known a hurricane had barreled through. Having seen that made me feel even more guilty. If I had just left all that meat in the store and not been so greedy, it would have fed somebody.

Here’s the recipe for the polpettone I finally did get around to making, the day the lights came on. It was quite delicious.

Polpettone for Hurricane Sandy

(Serves 4 or 5)

1 pound ground pork
1 pound ground beef, preferably chuck
The soft insides from 2 slices of Italian bread, torn into small pieces (about a cup)
1 heaping tablespoon crème fraîche
A splash of milk
Extra-virgin olive oil
6 thin slices pancetta, 1 well chopped, 5 left whole
1 celery stalk, cut into small dice, plus a handful of celery leaves, chopped
1 medium shallot, cut into small dice
1 small carrot, cut into small dice
2 small garlic cloves, minced
Dry white wine
2 large eggs
6 large thyme sprigs, leaves chopped
A handful of Italian parsley leaves, chopped
½ teaspoon ground coriander
½ teaspoon ground allspice
Freshly ground black pepper
Salt
¾ cup grated grana padano

Preheat the oven to 400 degrees.

Put the ground meat in a large bowl.

Put the torn bread in a small bowl. Add the crème fraîche and a splash of milk, and mix everything around with a fork until it’s mushy. Pour this onto the meat.

In a medium skillet, heat 2 tablespoons of olive oil over medium flame. Add the chopped pancetta, and sauté until it’s just starting to crisp. Add the celery, shallot, and carrot, and sauté until softened. Add the garlic, and sauté a few seconds, just to release its flavor. Add a splash of white wine, let it bubble for a few seconds, and then pour everything over the meat in the large bowl.

Now add all the remaining ingredients, except the sliced pancetta, seasoning well with salt and black pepper (and don’t forget the celery leaves). Add a drizzle of olive oil, and mix well but gently, trying not to make the meat too compact (or you’ll have a dense meatloaf).

Choose a baking dish that will fit the meatloaf with a little free room all around. Drizzle the bottom of the dish with olive oil. Shape the meat into a big log, and tilt it into the dish. Lay the slices of pancetta over the top. Give it a splash of white wine and then a good drizzle of olive oil. Bake until just tender, about 30 to 35 minutes.