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Christmas Still Life with Fish, by Salvador Diaz Ignacio Ruiz de Olano

Recipe below: Lumache with Fresh Tuna, Taggiasca Olives, Arugula, and Bottarga

Recipes linked to in text below: My Pizza di Scarola; Roasted Red Sweet Peppers Filled with Leftover Baccalà Mantecato from Christmas Eve

Christmas Eve and mental health troubles often go hand in hand, at least in my family. The holiday seems to unleash a general sense of turmoil in some people and a deep loneliness in others (or sometimes both iin the same person). I have recently had a few Christmas Eves surrounded by weird behavior, calling for a paring down of the whole evening—fewer people, smaller menu, puny tree with not enough sparkles. That has been sad for me, as Christmas Eve is my favorite food holiday. But this year looks like it’s shaping up to be different. It looks like no one will be going nutty (although people can surprise you), and the  entire atmosphere feels brighter. I’m looking forward to putting together a solid and beautiful Christmas Eve dinner. Progress can be made.

I’ve been thinking about how this important fish-based dinner has changed for me over the years, especially since I’ve become the person in charge of the menu. I’ve moved on from some of the family classics, such as linguine with clams (which I love, don’t get me wrong) and added a few dishes that are classics in various parts of  Italy but didn’t make their way onto my childhood table. I’m thinking specifically of pizza di scarola, a Neapolitan Christmas Eve tradition that I now can’t imagine the evening without. I’ve made the double-crusted torta in many variations, sometimes adding capers or olives, occasionally going escarole-heavy with few embellishments, sometimes adding caciocavallo; the inclusion of anchovies is non-negotiable . And I almost always  use an olive oil crust. You can do a pasta frolla with butter, but I think the olive oil version goes better with the filling. If you’d like to give it a try, here is one of the ways I do it.

Also baccalà is a must for me now, although my mother would have been grossed out dealing with it in any form. I love salt cod and usually make it Venetian-style, whipped up with a lot of good olive oil and a little potato and then given a gratinée treatment with breadcrumbs and sometimes olives on top. This year I’m planning a different presentation, though. I’ll be spooning the whipped fluff on bruschetta and topping it with roasted peppers and fresh marjoram, more of a Spanish concept, I guess.  Here is my recipe for that.

I also love fresh tuna with pasta. Canned Italian tuna is traditional for the dish below, but fresh produces a lighter taste. I make it with fresh tuna quite often. This new one is bold and bright, just the way I hope the my Christmas Eve will turn out to be.

If you don’t have or don’t want to use bottarga, you can instead sprinkle each serving with sautéed breadcrumbs, maybe with a little Aleppo worked in.

Lumache with Fresh Tuna, Taggiasca Olives, Arugula, and Bottarga

1-pound fresh tuna (I used wild caught U.S. yellowfin), cut into approximately ½-inch cubes
Extra-virgin olive oil
Salt
A pinch of sugar
Aleppo pepper, to taste
2 pints grape tomatoes
1 large shallot, chopped
2 fresh garlic cloves, thinly sliced
1 pound lumache pasta
A splash of sweet vermouth
½ cup vegetable or light chicken broth
A handful of Taggiasca olives, pitted and torn in half (Niçoise are very similar, so use those if you can’t find Taggiasca)
5 large sprigs of marjoram
A big handful of baby arugula, stemmed
1 small piece of bottarga, peeled of its outer casing (I prefer Sardinian gray mullet bottarga, which I order from Gustiamo).

Toss the tuna chunks with a little olive oil, salt, a sprinkling of sugar, and some Aleppo.

Set up a pot of pasta cooking water, and bring it to a boil. Add salt.

While the water is coming to a boil, get out a large sauté pan, and set it over high heat. When it’s good and hot, add the grape tomatoes, and shake them around a few times until they start to burst. Add the shallot, a little salt, and some Aleppo, and let it cook for about a minute. Add the garlic, and cook until the tomatoes give off some juice and the garlic is fragrant, about a minute longer.

Drop the lumache into the water.

Add a big splash of sweet vermouth to the sauté pan, and let it bubble for a few seconds. Add the vegetable or chicken broth. Turn the heat down to medium.

Add the tuna to the sauce, and cook it for only about a minute so. You want it to stay quite pink in the center. Add the olives and the marjoram.

When the pasta is al dente, drain it, saving about a cup of the cooking water, and put the pasta in a large serving bowl. Add the tuna sauce and a generous drizzle of olive oil. Add the arugula, and toss gently, adding a little cooking water if needed to loosen the sauce. Check for seasoning.

Top each serving with a few big gratings of the bottarga, or, if you prefer, with a sprinkling of toasted breadcrumbs.

And speaking of Christmas Eve fish, check out the Museo dell’Acciuga, an anchovy museum just outside of Palermo. I’ve never been, but it looks like a lot of fun. Next time for sure.

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I’m constantly revising my list of animals I won’t eat. I have the luxury of doing so because I can pay for alternate sources of protein. I used to eat frog legs with butter and garlic and herbs, and they were delicious, but now I can’t. I’ve held frogs many times and felt their skin, thick, green, and rubbery. I know their skin is removed before cooking, but I can’t help remember it was once there. I think about chewing it and choking it down. Completely irrational. I used to eat rabbit too, but when I began working in restaurants and had to skin their soft fur from their dead bodies over and over and over, I decided I couldn’t do that anymore. (Now rabbit usually comes into a restaurant already skinned, but back in the day scalping it was a sad job.) This turnaround is unfortunate for me, because Italian rabbit recipes are very good (coniglio agrodolce, for instance, with green olives, pine nuts, vinegar, honey, and mint). Also, I do understand that frogs and rabbits have very low greenhouse gas issues compared with cows, which are off-the-charts problematic, but I seem to have no problem eating cows. I’m working on changing my thinking about rabbit.

I have never had any problem with any type of poultry, especially duck. I’ve known some ducks personally, but still I can eat them. I could even kill them if I had to, although I’ve never had to.

I like cooking duck legs. Once I’ve seared and melted off most of their fat (ducks carry an astonishing amount of fat), I put them into a low oven to braise until tender, a long time, but then there’s no further work for me. The kitchen starts to smell wonderful, especially if red wine is involved in the braise. And their color when they’re tender, a deep burnished red-brown, is just like the few leaves that are now left on the trees outside my apartment window.

For the braised duck I used D’Artagnan whole duck legs on my first try. These are  Rohan ducks, a hybrid that includes both the mallard and Pekin breeds. For my next go-round I tried Hudson Valley Foie Gras Moulard duck legs. Both brands were good and took about two hours to become tender, but the Hudson Valley duck had much more fat, which I trimmed a bit. It also had more meat. Both cooked up tender with excellent flavor.

Braised Duck with Red Wine, Prunes, and Grappa

4 whole duck legs
Salt
Black pepper
Extra-virgin olive oil
1 large shallot, finely diced
1 carrot, finely diced
About ½ teaspoon allspice
5 large sprigs rosemary, the leaves well chopped
A big splash of grappa (if you don’t have any grappa, use  cognac or brandy)
½ bottle red wine (I used a Barbera)
2 cups homemade chicken broth, possibly a little more
12 pitted prunes

Preheat the oven to 350 degrees.

If it looks like you’ve got a ton of fat on your duck legs, carefully trim a little off (I used scissors for this).  Get out a big skillet or sauté pan that will fit the duck legs comfortably (if you have cast iron, I’d use it). Set it over medium heat. Season the legs generously on both sides with salt and black pepper. Drizzle a little olive oil into the pan. Add the duck legs, skin side down, and let them sit there, not moving them around, until they’re well browned. This will take about 8 minutes. You want to cook out much of the fat. If the legs are browning too fast, turn the heat down a little. Give them a flip, and sear the other side for about 2 minutes. Remove the duck from the pan.

Pour off most of the duck fat (keep it for sautéing potatoes or something), leaving about a tablespoon. Set the pan over medium heat again, and add the shallot, carrot, allspice, and about half of the chopped rosemary.  Let the mix sauté until softened, about 3 minutes. Add a big splash of grappa (or cognac), and let it bubble up for about 30 seconds. Add the red wine, and let it reduce by about half.

Put the duck back in the pan, skin side up. Add enough chicken broth to come up a little more than halfway, to just under the edge of the skin. Sprinkle the rest of the rosemary over the duck. Bring the liquid to a gentle boil, and then stick the pan in the oven and braise it there uncovered (which will help keep the skin crisp), for about 2 hours. Add the prunes after 1½ hours. Check once in a while to make sure the liquid isn’t getting too low, and add a little more broth or even water if needed. I didn’t have this problem, but you never know.

Remove the duck to a plate, skin side up. Spoon off excess fat from the pan, and then reduce the sauce if necessary (you want a little thickness in it). Check for seasoning. Plate the duck, and pour some sauce and prunes over each serving.

The first time I made this I served it over a celery root purée and that, I thought, was a good accompaniment. The second time I made Israeli couscous, also good but more neutral, maybe better in a way better for soaking up all the wine and prune sauce.

I also love duck legs slow braised and shredded into a ragù for pasta. If you’d like to try that, here’s recipe I did for it a few years back, using black olives, orange, and basil.

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Blue Mussels, by Kristine Kaiser.

Recipes below: Ziti with Cannellini Beans, Mussels, and Rosemary; Baked Mussels with ’Nduja Breadcrumbs and Marjoram; Spaghetti with Mussels, ’Nduja, and Tomatoes (in text)

Does anyone cook ziti anymore? When I was a kid that was almost all we cooked, except when we made spaghetti. We ate a lot of baked ziti, in various forms. It was a thing. Baked ziti with eggplant, tomato, and mozzarella was my favorite (we called it Sicilian-style), but just plain tomato sauce and some type of good cheese was and is also excellent if done right.

Ziti is smooth, hollow, not too large, and not cut on an angle. Solid, no ridges.  In my opinion it’s more charming than rigatoni or penne for most pasta needs, unless you require spaghetti or tiny soup pasta like acini di pepe. I used to use ziti to make garlands to drape around the Christmas tree—a good tight fit—spray painting them gold until I became a teenager and began painting them black.

Package designed by Dolce & Gabbana.

Ziti is a primarily Campanian pasta shape, which is why it has always been popular with so many Italian-Americans. I like the Gragnano-based Pastificio di Martino brand, so I was curious to know if the company had anything to say about the shape’s origin. Here’s what I found on their site:

“Short, smooth, tube-shaped pasta. Originally Ziti are a long type of pasta, usually hand broken before cooking and traditionally served on Sundays or important occasions. . . . Can be combined with a classic sauce of the Neapolitan tradition or with more creative versions, perfect to bake in the oven. The name Ziti came from zita who were the unmarried girls that stayed at home on Sundays to break the pasta with their own hands instead of going to mass. Today this practice is now performed in the homes of many Neapolitans and represents a real ritual performed by family members before cooking the dish.” Wow. I would always rather have stayed home breaking pasta than gone to church. I never knew it was an option.

When I was young, maybe under 13, baked ziti was a special-occasion dish, on Sundays and birthdays, and always with ragù or chunks of sausage, but as time went by it started to show up more often as a quick anytime dinner, with leftover tomato sauce, mozzarella, provolone maybe, ricotta sometimes, meat almost never, thrown in the oven. And occasionally there was that eggplant version, which drove me wild.

I start making pasta with various types of beans when the weather goes cool. Probably you do the same. Ditalini is the standard fazool pasta shape, but when I recently picked up a bag of mussels at the Greenmarket and decided to include them in my latest fazool, that changed the pasta sauce ratio in my head. Ditalini too small with mussels. Ziti perfect.

And while I’ve got mussels in the house, why not make stuffed mussels with ’nduja? I made a version of that last year for a friend’s birthday. It was really good, but then I overdid it with ’nduja for a few months and needed to lay off. After a half year cool-down, I’m fresh on ’nduja again. This dish is truly a simple one, but the payback is big. You’ll see that it contains only three main ingredients, ’nduja, panko, and an herb of your choice (I used marjoram, but Italian oregano or thyme would also be good, or for a more mellow result try Italian parsley). I hope you’ll consider making it. It’s excellent for a big group with its prepare-ahead-and-then-heat-on-command technique.

You’re probably asking, can I make this with clams? In my opinion, that doesn’t work as well. Their brininess clashes with the spicy fattiness of ’nduja. Two strong flavors collide. But what about the classic Spanish dish of chorizo and clams, you ask? That works, I believe, because it’s a looser concoction, usually brothy, where everything has room to mellow. That combo also comes up in paella, where there’s plenty of rice to separate the two strong ingredients. With these baked mussels, the flavors are literally right on top of each other, but mussels are gentle, not briny, smoothing the way for a spicy, fatty top coat.

The best time for mussels is during the colder months, October through February. Right now they are at peak flavor, less watery, plumper, sweeter. I almost always get my mussels from PE & DD Seafood at the Union Square Market. They fish early in the morning off Long Island and get it all into the city by the time the market opens. So fresh. They also sometimes offer their housemade smoked mussels. Also excellent.

Ziti with Cannellini Beans, Mussels, and Rosemary

1 2-pound bag mussels (about 30 mussels), cleaned
1 glass dry white wine
Extra-virgin olive oil
Salt
1 pound ziti
1 ¼-inch-thick round of pancetta, cut into small dice
½ a sweet onion (such as Vidalia), cut into small dice
3 tender inner celery stalks, cut into small dice, plus their leaves, chopped
A big pinch of allspice
About 1½ cups cooked cannellini beans, with a little of their cooking liquid. (A tip: For this dish it is good to cook them with a few fresh bay leaves, a whole garlic clove, and a few sprigs of rosemary, and add salt toward the end.) I used Rancho Gordo’s Marcella beans, which are named for Marcella Hazan.
5 or 6 sprigs fresh rosemary, the leaves chopped
Aleppo pepper to taste
Grana Padano cheese, if you like

Put the mussels in a large pot. Pour on the white wine. Turn the heat to medium-high, and cover the pot. When the wine starts to boil, uncover the pot, and stir the mussels around. Cook them until they open. With a strainer spoon, lift them from the pot into a large bowl.  Strain the cooking liquid into a small bowl. I had about ¾ cup. When the mussels are cool enough to handle, remove them from their shells, and put them into a small bowl. Pour on the mussel cooking broth, and give them a drizzle of olive oil.

Set up a pot of pasta cooking water, and bring it to a boil. Add salt and the ziti.

Get out a large sauté pan, and set it over medium heat. Drizzle in about a tablespoon of olive oil, and add the pancetta. Sauté until the pancetta is crisp and has given up much of its fat, about 4 minutes. Add the onion and the celery, holding the celery leaves back for garnish. Sauté until softened, about another 3 minutes. Add the allspice, the cannellini beans, a little salt, and the rosemary. Sauté for another 3 or 4 minutes to blend all the flavors.

Now add the mussels with all their liquid, and gently reheat the sauce for no longer than a minute (you don’t want the mussels to overcook).

When the ziti is al dente, pour it into a large serving bowl, saving about ½ cup of the cooking water. Drizzle with about 2 tablespoons of fresh olive oil (you can use a really good one here), and give it a toss. Add the sauce. Sprinkle on Aleppo to taste, and give it another toss, adding a little of the cooking water if needed to loosen the sauce. Taste for seasoning. Scatter on the celery leaves. Serve hot. I like this without cheese, leaning more toward a heavier dose of Aleppo,  but it’s not bad with a little grana Padano sprinkled on top. That’s up to you.

Baked Mussels with ’Nduja Breadcrumbs and Marjoram

  • Servings: 5 or 6 as an antipasto
  • Print

1 2-pound bag mussels, (about 30 or so), well-rinsed
½ cup dry vermouth
Extra-virgin olive oil
1 approximately ¼-pound chunk ’nduja (you’ll need about 3 tablespoons for this recipe, so use the rest for my bonus pasta recipe below or for anything else that strikes you as a good idea)
1 cup panko breadcrumbs
About 5 or 6 big sprigs marjoram, the leaves chopped
Salt if needed.

Put the mussels in a large pot. Pour on the vermouth, and turn the heat to medium high. Cover the pot, and let the mussels heat up. When the wine is steaming, uncover the pot and stir the mussels around. Cook them until they open.

Using a strainer spoon, lift the mussels from the pot and into a bowl. Strain their cooking liquid into a small bowl. When the mussels are cool enough to touch, pull off the top shell from each one, detach the mussel from the bottom shell, and then place the mussel back in the bottom shell.

Preheat the oven to 425 degrees.

Get out a medium sauté pan, and set it over medium heat. Add about a tablespoon of olive oil and the ’nduja, and let the ’nduja melt, about 3 minutes. Add the panko, stirring it around until it blends with the ’nduja and becomes crisp, about a minute or so. Add 2 tablespoons of the mussel cooking liquid, stirring it in. Turn off the heat, and add half of the marjoram. Pack each mussel with about a teaspoon of the ’nduja mix, and place the mussels shell side down in a baking dish. Give them a drizzle of olive oil. Stick the dish in the oven, and roast until hot and crispy, about 4 minutes. Garnish with the remaining marjoram. Serve hot or warm.

Bonus Recipe: After I retested my baked mussels with ’nduja recipe, I had mussels and ’nduja left over, so I made this Spaghetti with Mussels, ’Nduja, and Tomatoes, which serves 2.

Put 20 or so mussels into a saucepan, and pour on a big splash of white wine. Turn the heat the medium high, and cook the mussels, stirring them around occasionally, until they open. Turn off the heat.

Drizzle about 2 tablespoons of olive oil into a large sauté pan. Add about 2 big tablespoons of ’nduja, half a chopped onion, a chopped celery stick, a few fresh bay leaves, and a peeled and lightly crushed whole garlic clove. Sauté until everything is fragrant and softened, about 3 minutes. Add a splash of white wine, and let it bubble away.

Add a small can of Italian plum tomatoes, chopped, including the juice, and sauté for about 5 minutes.

Cook about ½ pound of spaghetti al dente, drain it, and pour it into a serving bowl. Drizzle on some fresh olive oil.

Lift the mussels out of the pot with a strainer spoon, and add them to the tomato sauce. Gently heat them through on low heat, no longer than about half a minute. Strain the mussel cooking liquid, and add it to the pan.

Pour the sauce over the spaghetti. Scatter on a generous amount of fresh herbs. I used marjoram, Italian parsley, and a few lovage leaves. Toss gently. Taste to see if you might need salt. Serve hot.

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Still Life with Celery, by Ivan Kolisnyk.

Recipes below: Orecchiette with Sausage, Cauliflower, Saffron and Celery Leaf; Pumpkin Soup with Anise Seed, Saffron and Celery Leaf

I haven’t posted in the past three weeks because I’ve been busy with two other writing projects, one of which, a food-related fiction idea, has been giving me sweaty pangs of embarrassment. I hope to burn past that (if all goes well, you’ll be hearing more about it at some later date). In the meantime I want to give you an update on my fall herb garden. Bittersweet is the word to describe what is going on now in my little garden. I’ve got a plot full of bitter and crusty, but it still gives hints of what those beautiful plants once were. Seems like only yesterday.

Some robust herbs hang on until the ground is almost frozen. Lovage and fennel do, and so does a variety of celery that’s grown primarily for its leaves and is called leaf, Chinese, or cutting celery in this country. I first planted that two springs ago, and it came back this year. In upstate New York you never know what’s going to return. I’m hoping it will become a solid perennial. Its stalks are skinny and hollow, without any of the stringiness of normal celery stalks, but they can be tough, so I make sure to chop them fine if I’ll be using them in a soffrito, for instance.  The leaves, though, are the main attraction, dark green, a little shiny, and abundant. I love the taste of celery, so for me leaf celery is a must-have. I use its leaves both cooked and as a straight-on herb, scattered at the last minute. It’s deep stuff.

I still have it coming up in my garden, and I’m grateful. It’s what inspired these two recipes. If you don’t have leaf celery, both dishes will still be really good with stalk celery. You’ll just need the leaves from almost entire head for each recipe (or you can use half celery leaves and half Italian parsley, if your celery leaves are sparse). I like to include celery leaf in dishes that have a semi-sweet element, like the pumpkin and the pork here. Its savory bitterness balances things out nicely.

I’m assuming that these will be the last recipes I post this year with herbs from my garden. People ask me if I dry my herbs. I don’t. I like herbs fresh, so during cold months I resort to those plastic supermarket packages. They’re not bad, but they definitely lack romance. One thing I do do with end-of-season herbs is make liqueurs. This year I cut down all my gone-to-seed fennel for finocchietto. It has been sitting in Everclear for only about three weeks so far, but it already smells sweet and intense. I’m hoping its deep green color will last until Christmas, when the liquor will be ready.

Orecchiette with Cauliflower, Sausage, Saffron, and Celery Leaf

1 large cauliflower (any color or variety), cut into small florets about the size of orecchiette
Extra-virgin olive oil
Salt
¾ cup homemade chicken broth
¼ teaspoon saffron threads, lightly dried and then crushed in a mortar and pestle
3 or 4 sweet Italian sausages (about ¾ pound), skinned and pulled into little bits
1 large shallot, cut in small dice
3 tender inner celery stalks, cut into small dice, plus, separately, the leaves from the whole bunch (if you happen to have leaf celery, use 3 of those stalks, well chopped, and a good handful of their dark green leaves)
4 or 5 sprigs rosemary, the leaves chopped
A big splash of dry white wine
1 pound orecchiette
Aleppo pepper to taste
A chunk of aged Manchego cheese

Heat the oven to 425 degrees, and get out a large sheet pan. Spread the cauliflower out on the pan in more or less one layer. Drizzle it with a good amount of olive oil, and season it with salt. Roast until golden and tender, about 10 minutes. Take the pan from the oven, and let it sit while you get on with the recipe.

In a small saucepan, heat the chicken broth to warm it, and add the saffron, giving it a stir. The broth should turn a lovely orange.

Set up a pot of pasta cooking water, and bring it to a boil. Add a generous amount of salt.

While the water is coming to a boil, get out a large sauté pan, and set it over medium-high heat. Drizzle in a film of olive oil, and add the sausage, letting it brown lightly, about 3 to 4 minutes. Add the shallot, the celery stalk, the rosemary, and a little salt, and sauté until it’s all fragrant and softened. Add the cauliflower, and give it a stir.  Add the white wine, and let it bubble away.

Drop the orecchiette into the boiling water.

Add the saffron chicken broth to the pan, turn down the heat, and simmer for about 3 or 4 minutes. Sprinkle in some Aleppo.

When the orecchiette is al dente, drain it, and set aside about a cup of its cooking water. Put the orecchiette in a large, wide serving bowl, drizzle on a little fresh olive oil, and give it a quick toss. Add the sausage sauce, a few gratings of Manchego, and about half of the celery leaves. Toss again, adding some cooking water if you need it to loosen the sauce. Scatter the rest of the celery leaves on top. Bring the rest of the Manchego to the table.

Pumpkin Soup with Anise Seed, Saffron, and Celery Leaf

Extra-virgin olive oil
1 medium-size onion, chopped
2 tender inner celery stalks, chopped, plus, separately, about ½ cup celery leaves, lightly chopped (if you have leaf celery, use 2 small stalks, well chopped, and ½ cup leaves)
1 pound skinned, cubed fresh pumpkin (I used cheese pumpkin for this, as I think it has the best flavor, but you can substitute butternut squash, if you like; it’s easier to peel, a bit sweeter, and less deeply flavored)
Salt
2 fresh bay leaves
A big pinch of allspice
1 teaspoon ground anise seed
A big splash of dry vermouth
4 cups vegetable broth, or half chicken broth and half water
A big pinch of lightly dried saffron, crushed in a mortar and pestle and dissolved in a few tablespoons of hot water
¼ cup heavy cream, or a little less if you prefer
Green peppercorns

Get out a large soup pot, and drizzle into it 2 tablespoons of olive oil. Turn on the heat to medium, and add the onion, celery stalks, and pumpkin. Season with a little salt, and add the bay leaves, allspice, and anise seed. Sauté until everything is fragrant and just starting to soften, about 4 minutes. Add the vermouth, and let it bubble away. Add the vegetable or chicken broth, and bring everything to a boil. Lower the heat, and cook partially covered at a low bubble until the pumpkin is very tender, about 20 minutes. Add the saffron water.

Remove the bay leaves, and purée the soup in a food processor until it’s smooth. Return the soup to the pot (wipe out the pot first). Gently reheat it, and add the cream, stirring it in. If the soup is too thick, add a little water or more broth (I like it the consistency of thick cream). Add a few grindings of green peppercorns, and check the seasoning. Add about half of the celery leaves. Serve hot, garnishing each bowl with the remaining celery leaves.

Here’s what cheese pumpkins look like. They also make great pie.

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Pink Shrimp, by Henri Matisse, 1921.

Recipe below: Shrimp Tagine with Tomato, Ginger, and Fennel

Mums are out, the ugliest flower in the Northeast (and they smell bad, too).  They are the first sign that summer is closing down. (Pumpkins are next.)

Mums and Pumpkins, by Yulia Nikonova.

But the weather is still fine, 83 today and not too humid. You can see the first signs of leaves going burnt orange, and some of my herbs are getting crispy around the edges, the basil just developing that late season cat-piss smell that makes me nervous. My fennel has gone to seed, but that’s a good sign. I like to dry the seeds and use them fresh-dried. Much better than most of the dead stuff you get at a supermarket. The aroma of my newly plucked seeds brings back a memory of a shrimp-and-fennel tagine recipe I found many years ago in Flavors of Morocco, by Ghillie Basan. I’ve made her version several times, and it’s lovely, incorporating many of my own favorite flavors like saffron, fennel, and smoked paprika. This time around I’ve, of course, fiddled with it. Not too much. Just enough to own it.

This dish is a cross between a Moroccan tagine and what I’d call an Andalusian cazuela de pescado.  From Tarifa, in Southern Spain, Tangier is just a one-hour ferry ride across the water, as I learned a few years back when I took that route myself. Spanish culture infiltrated Tangier during an occupation that lasted from the nineteenth century to the mid-twentieth. Many people in Tangier speak Spanish, and I saw churros being sold on the streets. Bisteeya, the Moroccan pastry filled with pigeon, almond, and warm spice, has Andalusian origins. So a dish like this tagine is a natural.

I’ve removed the cilantro from the original recipe, because I find cilantro revolting. I love Moroccan food, but not its use of cilantro. They put it in almost everything. I’ve gotten around it by substituting mint or basil, or parsley, or a mix of oregano and parsley, depending on the recipe. Here I’ve replaced it with Thai basil, which is still growing well on my deck and hasn’t gone to cat piss like the Genoa variety.

The end of summer is a bittersweet time for most cooks. I try not to let it slip through my fingers. Here in New York we’ll have tomatoes and fresh fennel and garlic until probably early October, and many of my herbs will hold on until it gets solidly cold. They’re mostly rugged  Mediterranean creatures.

Shrimp Tagine with Tomato, Ginger, and Fennel

3 fennel bulbs, trimmed and thickly sliced lengthwise
Extra-virgin olive oil
Salt
1 medium sweet onion, diced
2 summer garlic cloves, sliced
1 1-inch chunk fresh ginger, minced
1 teaspoon ground fennel seed
½ teaspoon sweet pimentón de La Vera (sweet smoked Spanish paprika)
3 large summer tomatoes, peeled, chopped, and lightly drained (hold on to the drained water)
½  teaspoon dried saffron threads, ground to a powder and dissolved in a few tablespoons of warm water
1 tablespoon honey
12 extra-large shell-on shrimp, three per serving (if you can find head on, that’s best, and it’s what I used)
A splash of dry sherry
15 Thai basil leaves, lightly chopped

Preheat the oven to 375 degrees.

Place the fennel slices on a lightly oiled baking dish or sheet pan. Sprinkle on a little water, drizzle with olive oil, and season with salt. Cover with aluminum foil, and roast until tender, about 30 minutes. Give one slice a poke with a sharp knife to make sure they’re done. Take them from the oven and pull off the aluminum foil.

Get out a large sauté pan, and drizzle in some olive oil. Turn the heat to medium, and add the onion. Let it soften for a minute or so. Add the garlic, ginger, fennel seed, and pimentón de La Vera. Add the fennel slices, and sauté for everything a minute or so, turning the fennel slices over once to coat them with seasoning. Add the tomatoes, the saffron water, and the honey, season with salt, and simmer at a low bubble for about 5 minutes.

Get out another large sauté pan, and set it over high heat. Season the shrimp with a little salt.  Drizzle some olive oil into the pan, and add the shrimp, searing them quickly on one side, about 2 minutes. Turn them over with tongs, and sear the other side for another minute or so. Add the splash of sherry, and let it bubble away. Lift the shrimp into the fennel tomato sauce, along with any pan juices.  Give everything a gentle stir, and warm it through on low heat for about another minute. If it seems too tight, add a little of the tomato water. Add the Thai basil (or regular basil, if you prefer). Serve hot.

I must add that I find it extremely important to support food distribution in Gaza any way I can right now. World Central Kitchen is trying hard to increase its food production to reach as many people as possible. If you’d like to help them out, either as a volunteer or with financial support, here is their link.

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Glowing Snapper Lady, by Tracey Berglund.

Cooking a fish whole can be emotionally fraught. Not because it’s a difficult job. It’s not at all. But because you have to look into those swollen, glassy eyes and say, you’re dead and I’m still alive. You’d think I’d be used to that, cooking as long as I’ve cooked. But it’s always a new death staring back at me. However, it’s good to be reminded, when we want to eat fish or meat, that we or someone has to kill it. It’s a big ugly food chain out there. I’ll eat just about anything, and I’m glad about that. I’m also glad I didn’t grow up on a farm. That would have demolished my open-mindedness. I know that people say the closer your connection to food, the more respect you have for it. True up to a point, but unless I was literally starving to death, I could never personally kill a baby goat (I might be able to kill an old goat—not sure). I need to keep a certain distance to stay free. A coward’s way out. Although I know I can kill an oyster.

Now that we’ve discussed that, I’d like to tell you why you should cook a fish whole anyway. First off, the presentation is beautiful.  If you want to impress someone, this is a nice way to do it. But the most important reason is flavor. It will be the best tasting fish of your life. The skin and bones add moisture and body and a certain lovely stickiness that you miss out on when you cook fillets. It’s that gelatinous quality that lures me every time.

To roast a whole fish what you’ll want to do is stick it in the oven. I’m not being condescending here, but that’s really it.  From my experience, a 2½-to-3-pound whole fish, the size I used for this recipe, will take about 20 to 25 minutes at 425 degrees. Once you know that, the rest is style.

This time around I made a vibrant vinaigrette with lemon, good olive oil, and fennel seeds, and rubbed it all over the fish, inside and out, and then stuffed the inside with Italian oregano. That’s a favorite oregano of mine, not too harsh like the Greek variety. It’s actually a cross between Greek oregano and marjoram, so it’s more floral and less biting. It’s good for a mild fish like red snapper.

I also wanted to make a sauce with our peak-season New York tomatoes, cooking them quickly so not to drain any of their glory. Italian oregano came back as an element of the sauce. I also added those oily, wrinkled Moroccan olives, because I love them.

In the past, my problem with serving whole fish (aside from having to look it in the eyes), has been not how to cook it but how to fillet it when it’s done so my people don’t wind up with a mouthful of bones.  Here’s a good video that shows you how to do that. The spoon he uses is a great idea. Long ago I used to try to lift the fillets off with a spatula, but that scraped up a ton of bones along with the fish. The spoon lets you move gently, feeling as you go.

Roasted Red Snapper with Tomatoes, Cumin, Moroccan Olives, and Italian Oregano

1 approximately 2½-to-3-pound red snapper, cleaned and scaled, the head left on
The juice and zest from 2 lemons
½ cup extra-virgin olive oil, plus a little more for serving
1 tablespoon freshly ground fennel seeds
Salt
Black pepper
6 or so long Italian oregano sprigs

For the sauce:

Extra-virgin olive oil
2 summer garlic cloves, thinly sliced
1 fresh red chili, minced (and seeded if you like less heat)
1 teaspoon freshly ground cumin seed
3 anchovy fillets, chopped
A splash of white wine
3 large red, round summer tomatoes, peeled, chopped, and lightly drained
Salt
A handful of oil-cured, wrinkled black Moroccan olives, pitted and halved
5 sprigs Italian oregano, the leaves lightly chopped

Preheat the oven to 425 degrees.

Get out a sheet pan, and place the fish on it. Make three shallow slashes through the body of the fish on both sides (this will help it cook evenly and also work seasoning into the flesh). Mix the lemon juice and zest, olive oil, fennel seeds, salt, and black pepper together in a bowl. Pour it over the fish, working it into the inside and into the slashes. Make sure both sides of the fish are covered.

Stick the oregano sprigs inside the fish, and put the pan in the oven.

While the fish is cooking, make the sauce. Get out a sauté pan, and set it over medium-high heat. Drizzle in a little olive oil. When the oil is hot, add the garlic, chili, cumin, and anchovies, and sauté until fragrant, about a minute or so. Add a splash of white wine, and let it bubble away. Add the tomatoes, seasoning with a little salt, and sauté about 3 or 4 minutes. Turn off the heat, and add the olives and the chopped oregano. Add a drizzle of fresh olive oil.

Take a look at the fish after 20 minutes. Check  for doneness by sticking a thin knife into it along the backbone. If the flesh pulls away with just a little touch of pull, it’s done. And remember that it’ll cook further as it sits. Depending on the size and thickness of your fish, it may take a little longer.

When the fish is done, you can transfer it to a big platter, if you want to get fancy, but I just left it on the sheet pan with all the roasted herbs and juices spilling out. I thought it looked beautiful.

Fillet the fish (reviewing the video if necessary). Drizzle the fillets with fresh olive oil and a sprinkling of salt. Top each serving with some of the sauce.

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Zucchini Still Life, by L. Kabakova.

I bought deep yellow zucchini at Story Farms, in Catskill, New York, the other day. You can see in my photo that they have dark green tips near their stems. The things are gorgeous. Their yellow is thick, verging on orange. Of my Winsor & Newton watercolor tubes this would be their Cadmium Yellow.

Not only is this zucchini cultivar beautiful, it’s also a little sweeter than the green ones. Less green-leafy, more soil-earthy in taste. There are a bunch of varieties of yellow zucchini. The one I found at Story is called Golden Delight. Its color alone makes me grab some every summer. It’s a prompt. A call to action.

This time around, out came a soup. A cold soup. Topped with herbs, like everything I cook in the summer. Lately I love a simple herb oil garnish—just herbs, good olive oil, and a little salt, whizzed up to almost a purée. There’s nothing like it for herbal essence (remember that shampoo?). This time I used Genoa basil, set to bright green by quick blanching. I thought it looked wonderful against the yellow of the soup. You might instead go with spearmint if you prefer.

There’s no cream or butter in this soup, and that’s good when you serve it cold, letting the texture flow smooth and loose. The soup gets its depth of flavor from good olive oil, so use your best, both in the soup and in the herb oil. I chose Benza BuonOlio, made from 100% Ligurian Taggiasca olives. It’s rich and mellow with not much of a bite. Gustiamo.com carries it. It’s a new favorite of mine.

I hope everyone is doing some creative summer cooking. We’re deep into it now.

Golden Zucchini Soup with Saffron, Basil Oil, and Pine Nuts

Extra-virgin olive oil (4 tablespoons for the soup, plus ⅓ cup for the basil oil)
1 large summer onion, diced
1 medium carrot, peeled and diced
5 or 6 medium-size golden zucchini, chopped
1 large Yukon Gold potato, peeled and chopped
½ teaspoon fennel pollen or ground fennel seed
½ teaspoon turmeric
Salt
A splash of dry vermouth
1 quart light chicken broth (or vegetable broth)
A big pinch of saffron, crushed and dissolved in about ¼ cup hot water
A big pinch of ground green peppercorn
About 15 basil leaves
A few drops of rice wine vinegar
A palmful of pine nuts, lightly toasted

Get out a soup pot, and set it over medium heat. Add 2 tablespoons of olive oil, and let it warm. Add the onion and carrot, and sauté until both are fragrant and starting to soften, about 3 minutes. Add the zucchini and the potato, the fennel pollen or seed, and the turmeric, and season with a little salt. Sauté for another few minutes to open up all these flavors. Add the vermouth, and let it bubble away. Add the chicken or vegetable broth and enough water to cover the vegetables. Bring to a boil, and then cook at a steady bubble, uncovered, until the potato and zucchini are tender when poked, about 20 minutes. Add the saffron water, the green peppercorn, and 2 more tablespoons of olive oil.

While the soup is cooking, make the basil oil. Set up a small saucepan, and fill it halfway with water. Bring it to a boil, and add some salt. Drop in the basil leaves, and blanch for about 30 seconds. Drain them, and run cold water over them to set their color. Squeeze out as much water as you can, and put the basil in a food processor. Add ⅓ cup of olive oil and a big pinch of salt. Pulse a few times. You want a slightly chunky purée. Pour it into a small bowl.

Purée the soup in a food processor, and then chill it. When the soup is cold, check its consistency, adding a little cold water if it needs loosening. And check its seasoning, too, adding a few drops of rice wine vinegar for brightness if needed.

Top each serving with a spiral drizzle of basil oil and a scattering of pine nuts.

And here’s a little video from another of my favorite farm stands, Montgomery Place Orchards, in Red Hook, New York.

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Fumée d’Ambre Gris, by John Singer Sargent, Morocco, 1880.

Does every moderately successful person have a mentor? I don’t know the answer to that. I’d call myself moderately successful. I could have had more opportunities, to write more books for one thing, if I wanted to be more well-known. But I didn’t want that. So here I am writing to you on this rainy day in Manhattan. What I’ve learned so far, I’ve learned pretty much on my own. And I know a hell of a lot about Italian cooking.

If I had to name a culinary mentor, it would be Paula Wolfert. You’d think it would be someone who cooked Italian, like Marcella Hazan for instance, but that didn’t happen (one of my problems with Hazan was that I got the feeling she didn’t have much respect for Southern Italian flavors). Wolfert’s book Couscous and Other Good Food from Morocco came out in 1973. I didn’t discover her until 1979. I had already learned basic Southern Italian from mimicking the food my family cooked. I bought her book because it looked like an adventure. And it was. I quickly cooked my way through it. I couldn’t stop. And I liked her attitude, the fact that she went to Tangier initially to study poetry but found her teacher Paul Bowles such a drugged-out bore that she began visiting the local ladies to see what they were up to in the kitchen. And her culinary career was born.

Aside from Southern Italian cooking, the only cuisine I’ve absorbed in a deep way is Moroccan. The flavors immediately made sense to me, since Southern Italian cooking still carries hints of its Arab past. My only problem with traditional Moroccan cooking is its reliance on cilantro. I can’t even be in the same room with the stuff. I’ve gotten around it by subbing mint, basil, or parsley (and sometimes thyme or oregano), creating different dishes to be sure, but in the process coming up with ones that are truly my own. Here’s one of my Southern Italian–Moroccan hybrids.  

I hope everyone had a successful No Kings Day.

Monkfish Tagine with Saffron, Almonds, and Mint

2 pounds monkfish, cut on an angle into ½-inch-thick medallions
Salt
Piment d’Espelette
Extra-virgin olive oil
2 tablespoons butter
2 shallots, cut into small dice
½ teaspoon ras el hanout (here’s my recipe, if you’d like to try making your own, in a post that also includes my recipe for carrots roasted with ras el hanout, summer savory, and crème fraîche)
1 1-inch chunk fresh ginger, peeled and minced
2 summer garlic cloves, sliced
2 fresh bay leaves
6 thyme sprigs, the leaves chopped
A big splash of dry vermouth
A big pinch of saffron threads, lightly dried, ground to a powder, and opened up in about ½ cup of hot water
1 35-ounce can Italian plum tomatoes, chopped, using some of the juice (if yours are packed in a thick purée, wash most of it off)
1 teaspoon honey
About ½ cup flour
A handful of fresh spearmint leaves, lightly chopped
A palmful of toasted almonds, lightly chopped

Pat the fish pieces dry. Season them with salt and some piment d’Espelette.

Get out a wide sauté pan, and set it over medium heat. Add a big drizzle of olive oil and a tablespoon of butter. When hot, add the shallot, ras el hanout, and ginger, and let it soften for a couple of minutes to release its flavors. Add the garlic and a little salt, and sauté for another minute. Add the bay leaves and thyme, and let them warm through. Add the dry vermouth, and let it bubble for a minute. Add the saffron water, tomatoes, honey, and another good pinch of piment d’Espelette. Simmer uncovered for about 5 minutes. Turn off the heat.

In another wide sauté pan, turn the flame to high, and add about 2 tablespoons of olive oil and a tablespoon of butter.

Put the flour on a plate, spread it out, and coat the monkfish slices on both sides with it, shaking off excess.

When the oil is hot, add the fish slices. Brown them quickly on both sides.

Turn the heat back on under the tomato saffron sauce, and add the fish to it, spooning the sauce over the top and cooking just until the fish is tender, about 3 or 4 minutes, depending on thickness. Check the seasoning.

Transfer to a serving platter. Scatter the mint and almonds over the top.

I served this with a buttery couscous seasoned with a pinch of cinnamon, but you could instead just buy some good bread to go with it. Or make rice.

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Recipe below: Risotto Milanese with Marrow

I recently went to Milano for the first time. I saw Leonardo’s Last Supper. It’s painted on the end wall of the former dining room of the Santa Maria della Grazie monastery. It took Leonardo four years to complete, which doesn’t seem like a long time for the size of the thing, but Sforza, the then duke of Milano, who paid for the work, was evidently constantly angry at him for procrastinating.

They let small groups in for 15 minutes at a time and then kick them out. But it was such an overwhelming yet slightly eerie feeling being in that big space that 15 minutes seemed like a long time. According to our guide, only about 20 percent of the painting is completely original. The outlines of the forms are original, but the colors and much detail has been worked over by various restorers over the years, most recently in 1999. The colors are still lighter than the original. It’s a dark meal now tinted in pastels.

Milano has never been a culinary draw for me so I was perplexed about what I could learn there to expand my knowledge of Italian food. Many of the restaurants I passed by felt New Yorky, with avocados, miso, smoked salmon. So I decided to go full-on retro and sample some of the standards—risotto Milanese, cotoletto. I’ve always loved a fried veal chop, and saffron, the main flavoring in their risotto, is a magic aroma for me.

We first decided on a checked tablecloth place called Burla Giò, which translates as something like “throw it down” in Milanese dialect. It was a lovely five-minute walk from our Airbnb. It opened in 1969, and the same family still runs it. From the clientele I could tell that it had over the years turned into a bit of a tourist trap, but not completely. Aside from the Australians and Germans, there were plenty of Italians, mostly older men, who I imagine had nostalgia for this kind of food.

I ordered the cotoletto, a giant, hammered-out veal cutlet, which was pretty good, could have been a touch moister. Mrs. Cavuoti, my next-door neighbor when I was growing up on Long Island, made it better. It came with a small lettuce and fennel salad, which I thought was a nice touch. My husband had guancia di manzo, braised veal cheek, that was tender and had a good smell. It came sitting in a slightly acidic brown sauce dotted with almonds. I tasted it. A good balanced flavor. I spotted a duck with apricot dish on another table that looked appealing. I have no idea if it was. Many tables ordered the osso buco with risotto Milanese, a piatto unico I wasn’t sure I was up to after seeing the huge portions being carried by, but I really wanted to taste the risotto, so we split an order of that as a first course. And it was very good. Thicker than I’d expected, but rich with saffron and parmigiano. Good rice.  Well prepared. A drizzle of balsamico finished it off, but the little pile of saffron threads on the top was an extravagant surprise. And this wasn’t an expensive restaurant. All around a fine experience.

For Easter I decided I’d go all out and served a risotto Milanese in the classic manner, with osso buco. It’s not often in an Italian kitchen that you’re served a starch such as pasta or rice alongside a big hunk of meat, but you’ve got that here. It was rich but so worth it. I could hardly believe my guests actually ate my pastiera after it.

I don’t think Burla Giò included it, but I added marrow to my version, which is a traditional variation. After cooking it this way for the first time, now I’m thinking the marrow completely belongs and will be hard for me to leave out in the future. See what you think. And try and find carnaroli rice. It really is the best for this dish.

Risotto Milanese with Marrow

About 7 cups homemade chicken broth (homemade is important, because you want the collagen to help hold the rice in a creamy suspension)
1 teaspoon saffron threads
1 beef marrow bone, split down the middle
A big drizzle of extra-virgin olive oil
4 tablespoons unsalted butter
1 large Vidalia onion, cut into small dice
2 cups carnaroli rice
2 fresh bay leaves
½ teaspoon nutmeg
Sea salt
1 cup dry but fruity white wine (I used a flat prosecco, because I had it hanging around)
A big chunk of Parmigiano Reggiano cheese
Black pepper
A drizzle of real balsamic vinegar, if you’d like to try finishing it with that

The first thing you want to do is pour your broth into a pot and get it hot over medium heat. Once it’s hot, turn the flame down low, and keep in warm. Stick a ladle in it.

Put the saffron threads into a small pan, and set it over a low heat for about 10 seconds. You just want to dry them out enough so you can grind them to a powder (otherwise, the moist strands won’t open up completely, and you’ll lose a lot of their flavor). Put the dry saffron in a mortar, and give it a grind. Add about ¼ cup of the hot broth to the saffron. It should bloom into a bright orange. ( I like keeping this little bit of saffron broth separate, instead of dissolving the saffron into the big broth pot; I then add the saffron halfway through the cooking, so it stays bright and aromatic).

You’ll now want to scrape the marrow out from both sides of the split bone with a small spoon or a dinner knife, and then chop it finely.

Get out a wide, high-sided pan. This will allow the broth to evaporate more quickly than a deep pot and make the stirring easier, even breezy. I used my 11-inch-wide, 3-inch-deep All-Clad.

Add a big drizzle of extra-virgin olive oil and a tablespoon of butter to the pan, and get it warm over medium heat. Add the marrow, and warm it through. As the marrow starts to melt, add the onion, and let it soften for a minute. Add the rice, the bay leaves, the nutmeg, and a little salt, and stir for a minute or so to coat the rice with the fats and flavorings. Pour in the white wine, and let it bubble for a minute or so. I love the aroma of the wine mixing with butter and onion wafting up in my face. That is for me part of what traditional risotto making is all about. You don’t get the full-on experience when you just stick the pan in the oven, a modern approach to preparing risotto.

Now you can start adding the broth. Start with a few ladles, and stir the rice around until you can see the bottom of the pan. Add more broth, and let the pan get almost dry again. You don’t have to go crazy stirring. I tend to stir more in the beginning and then ease up a little. After about 10 minutes, add the saffron broth and stir that in. The rice will turn a beautiful dark yellow.

I find that the entire risotto process takes about 16 to 17 minutes.  So after about another 6 or 7 minutes of stirring, the rice should be tender but still firm and its consistency creamy.

Turn off the heat, and add the rest of the butter, stirring it in. Add about ½ cup of grated Parmigiano and a few big grindings of fresh black pepper, and check for salt. Add a little more broth if the texture has gotten too thick. If you’ve run out of broth, just add a little warm water. I like my risotto Milanese loose but not runny. Ladle it into wide bowls. You can drizzle a thread of balsamic vinegar over each serving, but only if you’ve got the really good stuff. In any case,  serve it right away, with the rest of the Parmigiano brought to the table.

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Easter is almost here. For me it’s a time to celebrate the rebirth of the earth, a beautiful holiday for a cook. But it all seems rushed this year. I haven’t yet planned. I didn’t invite anyone. I’m only now trying to put a menu together, but I’m not sure what I’ll be able to actually turn out, since last night I messed up the door of my oven in a frantic effort to get my cat Red out from behind it. The cat is out and fine, but the door is hanging by a thread. Hopefully I’ll be able to get someone in to fix it. If that’s not possible, I’ll have to figure out if I can cook a pastiera, my must-have Easter dessert, in the toaster oven. Maybe I can make a shallow one on a pie plate, although that seems diminished and a little depressing. A pastiera should be high and mighty, filled with ricotta and wheat berries and giving off that exotic scent of orange flower water. I’ll see what I can do.

If you have a working oven and would like to make a pastiera, here’s my recipe. I do make it a little differently every year, but this is, I think, I good guide.

And here are some other Easter dishes that I’ve made over the years and everyone really liked. I’m not yet sure what the rest of my menu will be this time around the globe, but somewhere in the mix will be eggs, ricotta, lamb, and asparagus, probably cooked on my stovetop.

Happy Easter cooking to everyone.

Easter Peas with Pancetta, Onion, Mint, and Warm Spices

Frittata di Pasqua with Ricotta, Soppressata, and Breadcrumbs

Warm Asparagus Salad with Dandelions and a Taggiasca Olive Vinaigrette

Strozzapreti with Lamb Ragù, Warm Spices, and Ricotta

Spezzatino of Lamb with Fennel, Carrots, and Peas

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